By Elk Herder, on January 22nd, 2008
I am a feminist. This occasionally colors my perception of classical works, making it difficult for me to enjoy some of the pieces that are overtly misogynist or racist. Some pieces are presented in a way that makes it possible to put them back into context and remember they were written hundreds of years ago [...]
By Elk Herder, on November 8th, 2005
Based on the book by Graham Greene, The End of the Affair was adapted for opera in 2002 or so by Jake Heggie. It debuted as an opera in 2004. I mention these things as this was my first exposure to modern opera and I’m certain that it colored my perceptions of the work. I’ve [...]
By Elk Herder, on May 5th, 2005
Florencia in the Amazons is everything I’d hoped opera would be when I signed up for our first season subscription. Spending money on the possibility of a beautiful performace was enticing and nearly assured, particularly as the only opera I’d seen was the Barber of Seville which made me laugh despite having to read the [...]
By Elk Herder, on January 31st, 2005
The story of Manon Lescaut is fairly well known, if only for its theme. A young woman must choose her direction in life: will she pursue love or money? The story is simple, but the womans inability to choose one or the other results in her death. Nice, tragic story.
The Puccini version of the story [...]
By Elk Herder, on June 4th, 2004
Actually, the title of the opera was in Italian, but it was based in California during the gold rush. Does it really matter? I don’t think so, this was my least favorite of the productions. It was slow, silly and pointless. Casting a large unsexy man as the woman a saintly figure falls for enough [...]
By Elk Herder, on January 31st, 2004
January 17, 2004 my hisband and I went to see Carmen. I hadn’t had the opportunity to read any of the preliminary material we were sent, so I went in to this one completely blind. I do’nt think I’ll do that again, I don’t like having to read the subtitles while trying to absorb everything [...]
By Elk Herder, on September 2nd, 2003
I should not be awake. Really, after a Wagnerian opera, you need to sleep until noon the next day. I’d forgotten that though. And of course, my body doesn’t know that rule. But sitting though Act (100 minutes), Act 2 (75 minutes), Act 3 (67 minutes) and a couple of half hour intermissions makes for [...]
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